[123] They enlisted Cinderella's choreographer Rob Marshall to direct and making the orphans ethnically diverse. [21] Although the stage musical Annie had already been adapted as a film in 1982, the film was considered to be a critical and commercial failure. "[16], Robert Iscove was enlisted as the film's director,[12] with Chris Montan and Mike Moder producing alongside Zadan and Meron. [49] Although well-received by audiences,[27] Cinderella premiered to generally mixed reviews from most critics,[89][98][99][100] who were critical of some of its songs, cast and feminist approach,[34][41] at times deeming it inferior to the 1957 and 1965 versions. [129][130], Despite its initial reception, Cinderella has become widely revered as one of the best film adaptations of the fairy tale. "[46] Theater director Timothy Sheader found the production "harsh and unmagical". ", "Ranking The 10 Actresses Who Played Cinderella Like Royalty", "Brandy Shares Her Fondest #BlackGirlMagic Moments", "Why Rodgers & Hammerstein's 'Cinderella' Is Still Relevant In 2017", https://en.wikipedia.org/w/index.php?title=Cinderella_(1997_film)&oldid=1142127041, This page was last edited on 28 February 2023, at 17:27. "[102] McDonagh observed that the color-blindness of the entire cast spares the film from potentially suffering "disturbing overtones" that otherwise could have resulted from images of an African-American Cinderella being mistreated by her Caucasian stepmother. All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. [40] Despite being more similar to the original musical than the 1965 remake in style and structure, the script's "values and tone" have been updated. [16] The producers refused,[36] insisting that "The whole point of this whole thing was to have a black Cinderella. [17] Although filmmakers are usually hesitant to interpolate songs from other sources into adaptations of Rodgers and Hammerstein's work, Ted Capin, President of the Rodgers & Hammerstein Organization,[10] challenged the producers to conceive "compelling reasons" as to why they should incorporate new material into the remake,[52] allowing the filmmakers significant freedom on the condition that the additions remain consistent with the project. [36] According to Peters, the song demonstrates her character's disappointment in her own life, exploring why she has grown so embittered and jealous of Cinderella. 4. [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. [102], Teresa Talerico, writing for Common Sense Media, praised the film's costumes, sets and musical numbers while lauding Peters, Goldberg and Houston's performances, but found the choreography stiff. Parents need to know that Rodgers and Hammerstein's Cinderella is a 1997 TV movie adaptation of the popular 1957 TV musical (itself based on the classic Charles Perrault fairy tale).While the film does include bullying, name-calling ("stupid," "lazy"), and comical slapstick -- including drunkenness played for laughs in one musical number -- it's very kid-friendly overall. TV Shows. [136], Rodgers and Hammerstein's Cinderella is considered to be a "groundbreaking" film due to its diverse cast, particularly casting a Black actress as Cinderella. [25] In an article for HuffPost, contributor Isabelle Khoo argued that despite the constant remakes that Hollywood produces "no fairy tale adaptation has been more important than Rodgers and Hammerstein's 'Cinderella. [37] Cinderella and the prince are also shown meeting and developing an interest in each other prior to the ball,[38] lessening the "love at first sight" element at the behest of the producers, by having Cinderella and the prince meet and talk to each other first,[37] an idea that would be reused in subsequent adaptations of the story. Updated version of the classic Rodgers and Hammerstein musical of the classic fairy-tale, with an all-star, multi-racial cast. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. Box Office. The Prince returns to the palace, where he is apprehended by his valet Lionel for once again visiting the kingdom disguised as a commoner, and learns that his parents, Queen Constantina and King Maximillian, plan to host a ball in order to find their son a suitable bride, an idea he strongly protests because he would rather marry for love. [42] Describing herself as familiar with the "flavor" of Rodgers and Hammerstein's material, Houston opted to perform their songs simply as opposed to her signature pop, R&B or gospel approach. [32] Houston would encourage the singer to "Sing from your gut" as opposed to singing from her chest in order to get her to sing louder. People were clearly still thinking, 'Multicultural is one thing, but do we have to have two black leads? [52], Houston's Fairy Godmother was expanded into a more musical role by having the character preface the film with a downtempo rendition of "Impossible". These behind the scenes facts about "Cinderella" (1997) will make you want to rewatch it even more. [109] Harlene Ellin of the Chicago Tribune wrote that, despite its aesthetics and color-blind casting, the film "lacks the requisite charm and spark", concluding that the production "doesn't capture the heart" despite its beauty. With kindness and respect", which some critics identified as the studio's attempt to make the film more feminist. [148] Ashley Lee of the Los Angeles Times declared Cinderella "the best example of colorblind casting of a screen musical to date" which "offers a useful template for potential successors", concluding, "the creatives behind Hollywood's current movie-musical boom could learn a thing or two from its clever spin on a classic text. Distributor Walt Disney Studios Motion Pictures. With his parents' blessing, Christopher declares that he will marry whoever fits the slipper, even if it means trying it on every maiden in the kingdom. [15], The diversity of the cast prompted some members of the media to dub the film "rainbow 'Cinderella'",[13][103][112] Laurie Winer of the Los Angeles Times summarized that the film's cast "is not just rainbow, it's over the rainbow", observing that "the black queen (Goldberg) and white king (Victor Garber), for instance, produce a prince played by Filipino Paolo Montalban" while "Cinderella withstands the company of a white stepsister (Veanne Cox) and a black one (Natalie Desselle), both, apparently, birth daughters of the mother played by Bernadette Peters. Download Film Rise of Empires: Ottoman Episode 6 Subtitle Indonesia LK21 Dan Streaming Rise of Empires: Ottoman Episode 6 Ganool Layarkaca21 Dunia21 - NONTONGRATIS88 [20] Agreeing that Cinderella required a certain "naivete that's just not there when you're 30-something",[17] the producers suggested that Houston play Cinderella's fairy godmother instead,[20] a role she accepted because it was "less demanding" and time consuming. [55], Rodgers & Hammerstein's Cinderella was the first of the three versions of the musical to be shot on film. Check out our "cinderella 1997" selection for the very best in unique or custom, handmade pieces from our shops. [42][46] The filmmakers agreed that Alexander deserved his own musical number due to his experience as a musical theatre performer, and decided to combine the Steward's "Your Majesties" with the Town Crier's "The Prince is Giving a Ball" from the original musical into an elaborate song-and-dance sequence. ", "From Hilary Duff to Brandy: The Top 7 Cinderella Movies", "Watch Rodgers & Hammerstein's Cinderella cast reunion with Brandy, Whoopi Goldberg, and more: 'It was a game changer', "A 25th anniversary special for the Brandy Rodgers & Hammerstein's Cinderella will air on ABC", "How a PR problem led to Disney's first Latina princess, "Elena of Avalor", "Keke Palmer Makes History Again As The First Black Cinderella On Broadway! [21] Hoping to relaunch the series using "a big event", Disney CEO Michael Eisner approached Zadan and Meron about potential television projects; the producers suggested Houston's Cinderella, which Eisner green-lit immediately. It was adapted by Robert L. Freedman and directed by Robert Iscove, with choreography by Rob Marshall, and was produced by Whitney Houston and Debra . [20] The producers hoped that the cast's diversity would enhance the film's "universal appeal" and interest children of all ethnicities. [16] In a conscious decision to update the fairy tale for a modern generation, Freedman sought to deconstruct the messages young girls and boys were subjected to in previous versions of the fairy tale, explaining, "We didn't want the message to be 'just wait to be rescued",[38] and thus altered the story to "reflect current ideas about what we should be teaching children. Cinderella: Dirigido por Robert Iscove. Kejuaraan U-23 AFC (2014 dan 2024 (bila lolos) karena pada 2016, 2018, dan 2020 hanya menayangkan highlights) Kejuaraan Junior Putra dan Putri AFC ( U- 16 dan U- 19) Liga Champions AFC. [16] Mary Rodgers and James Hammerstein, relatives of the original composers, also approved this casting decision, with Mary maintaining that the production remains "true to the original" despite contemporary modifications to its cast and score,[35] and James describing the film as "a total scrambled gene pool" and "one of the nicest fantasies one can imagine. [91] 1.5 million viewers watched. "[25] Ashley Rey, a writer for Bustle, opined that the film "helped show the world that black and brown faces should have just as much of a presence in fairytale land as white faces do. "Cinderella's glass slippers are far too big for Brandy to fill," wrote the . Several well-known actors auditioned for the role, including Wayne Brady, Antonio Sabato, Jr., Marc Anthony and Taye Diggs, the latter of whom was highly anticipated due to his starring role in the musical Rent at the time. [37] Zadan and Meron wanted Houston to end the film with a wedding song for Cinderella and Christopher. ", "TV Weekend; The Glass Slipper Fits With a 90's Conscience", "11 Cinderella Movie Adaptations, Ranked", "It's Beauty and the Beast: A multiracial 'Cinderella' and a bloody-bad 'House of Frankenstein' kick off sweeps", "Bernadette Peters will star in a new production of the Rodgers and Hammerstein classic, Cinderella, to be aired on ABC-TV Nov. 2", "Why Brandy's Cinderella Is Actually the Best Cinderella (Yes, Including the Original)", "Cinderella Screening: A Star Sapphire Evening", "Brandy & Whitney Houston's 'Cinderella' Is Airing In Honor Of Its 20th Anniversary & You Won't Want To Miss It", "Adding More To Cinderella's Score? Rodgers & Hammerstein's Cinderella (also known as simply Cinderella)[1] is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman. [37] Iscove identified the film's time period as "nouveau into deco," while also incorporating influences from the work of Gustav Klimt. "[37] Rob Marshall choreographed and staged the film's musical numbers,[31][57] which he credits with teaching him how to choreograph dance sequences for motion pictures. [25] Furthermore, the writer opined that future live-action remakes should watch Cinderella for reference. Cinderella currently has a score of 97% on Rotten Tomatoes. [15] The film became ABC's most-watched Sunday night program in more than 10 years,[81][82] as well as the most-watched program during the network's two-hour 7:00 pm to 9:00 pm time slot in 1314 years,[9][15][78][83] a record it broke within its first hour of airing. csl plasma price per donation. Running Time 1 hr 45 min. $182 million [2] Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. [113] Rodgers & Hammerstein's Cinderella was nominated for seven Primetime Emmy Awards,[18][114] including Outstanding Variety, Music or Comedy Special. [127] A Broadway adaptation of the musical premiered in 2013, in which several songs from the 1997 film are re-used, including "There's Music in You". Cinderella will waltz into the hearts of the entire family and live happily ever after as one . Piala AFC. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". [90] Essence's Deena Campbell credited the singer with "inspiring other young girls to be Black Cinderellas". Rodgers & Hammerstein's Cinderella (also known as simply Cinderella) is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman.Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. [125], Following the success of the film, the Rodgers & Hammerstein Organization and Disney discussed possibly adapting the production into a touring stage musical by 2001, but the idea never materialized. The special will reunite some of the original members of its heavy-hitting cast, including Brandy, Whoopi Goldberg, Paolo Montalban, Victor Garber, Bernadette Peters, Jason Alexander and Veanne Cox. [79] Rodgers and Hammerstein's Cinderella was released on VHS February 10, 1998, a mere 101 days after premiere. [111] In its year-end edition, TV Guide ranked the program the best television special of 1997. One Hundred and One Dalmatians (101 Dalmatians) Walt Disney Productions. Disney's recent streak continued over the weekend with the $70.1 million North American debut of its traditional, sumptuously costumed fairy tale adaptation "Cinderella," according to studio . 2 Rodgers & Hammerstein's Cinderella (1997) . 'Cinderella' becomes the servant of the house. [49] The actor concluded "There's no reason why this can't be the norm. [79] Cinderella's producers immediately began researching other musical projects to adapt for the Wonderful World of Disney, with the network originally hoping to produce at least one similar television special per year,[79] announcing that songwriter Stephen Schwartz had already begun writing a musical adaptation of Pinocchio. Solely determined to bolster their own wealth and social status by marrying the prince, Cinderella's stepfamily leaves for the ball, leaving Cinderella home alone.
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