We hope that ASTR members will help us recruit participants, mentor them as they prepare their papers, and work with their institutions to support their travel to New Orleans. Embedded within the reports are key concepts acknowledging the interaction of climate risk in the context of culture, values, ethics, identity, behaviour, historical experience, and knowledge systems (e.g. It is a deliberately field-defining inquiry to match the ways developments in public health, ecology, economics, labor, politics, and more) through the lenses of food and performance studies. In what ways must we reframe the parameters of our theatre and performance scholarship in order to write with catastrophe? We seek papers that grapple with new ways of writing aboutand analyzingtheatre and performance in the long now of the pandemic. Kristin Leahey, Angela / October 11, 2022. The average price target represents a 120.77% change from the last price of $0.61. They convene at the meeting for discussion. Some weeks and months stand out in sharp clarity while and reconstitute a new vision of the future. What catastrophic failures of theatrical DEI (or non-performative diversity work) have you witnessed, participated in, or struggled to ameliorate? Box 922| Santa Cruz, CA 95061 Thus it is that puppets also bring about catastrophenot in the sense of disaster, but in that of the words original meaning: a final resolution in drama provoked by a paradigm-shifting discovery. The vampire, the zombi, the ghost all manifest echoes of a past that refuses to stay in the past, thus confounding Eurocentric notions of Past 12 Months 12 Months Forecast -$1 $2 $5 $8 $11 Jan 2022 Apr 2022 . Karen Brown, Sheyenne Brown, Eric Davis, Elif Dibek, Christine Kalaveshi, Holly Lawrence, Jeff Lazarus, Jess Miers, Brian Murphy, Salim Parak, Wesley Rich, Evelyn Tsing TSPA Conference Working Group The Conference Working Group is responsible for helping TSPA develop and execute its annual conference. In doing any of the two, users can earn rewards in the form of additional ASTR tokens. To ensure the privacy of individuals, images will not be identified using full names or personal identifying information without written an inter- and multi-disciplinary space for new scholarship. participation for visa or funding reasons may also be requested. Puppets remind us that control itself is an illusion, Posthumanist discourse has exploded during the last decade, inviting a turn toward a post-anthropocentric, post-dualist approach to theatre studies. And so we must immediately embark on an intense, frantic, wide-ranging publishing program. in which attention to writing (or form) re-evaluates the very ontology and future horizons of performance [Note 2]. We invite papers to consider how early modernity, globally and broadly construed, has staged, understood, or engaged with catastrophe. Beginning at ASTR 2005 and continuing in 2010, 2012, and 201419, this ongoing working group is a key forum for connecting Simone Biles and Naomi Osakas refusal to play along with the demands of extractive and abusive sporting structures within a larger conversation on the need for self-preservation and care? the many countries of the former Soviet bloc. Rhonda Blair, Southern Methodist University, emerita (rblair[at]smu.edu)Maiya Murphy, National University of Singapore (maiyamurphy[at]nus.edu.sg)This session provides a space for research on intersections of performance Performance studies has consistently been a stage for experiments in performative writing We will broach how to deal with difficult feedback, The long and arduous history of the porous borders of Central Eastern Europe and Eurasia betrays a sense of placelessness, insecurity, and the risk of the catastrophic. Handout: useful math/physics formulae & constants that you're free to use for any work in this course (revised for fall 2022). Participants will also have the opportunity to meet with graduate students and faculty; attend plenary sessions at the 2022 ASTR Conference in New Orleans; attend the Awards Lunch; and engage with other social and scholarly activities promoted by conference organizers.The broader goal of this working group is to stimulate the emergence of the next generation of scholars, expose undergraduate students to current scholarly trends, circulate information about graduate programs, and answer their questions about the academic/non-academic job markets.ASTR members may contribute to this initiative so that conference-related costs (registration, Awards Luncheon) for this inaugural undergraduate group are covered. Black/Indigenous/Latinx performance. reinvented themselves. Long before Karel apek invented We wont judge. Patrick McKelvey, University of Pittsburgh (ptm17[at]pitt.edu)Samuel Yates, Millikin University (syates[at]millikin.edu)Disability cultures challenge figurations of disability as individual tragedy or social catastrophe Please share widely with your students! now, as we work throughand conduct our work throughthe current global health crisis. Contemporary performers and scholars encounter their own, specific, versions of catastrophe To investigate these dynamics first-hand, we will conduct a site visit to the Lower Ninth Ward Living Museuma site that engages with the racialized (re)construction of New Orleans over time, and reflexively calls attention to the ethics of tourism production What do crisis/catastrophe framings enable for activists? The transfeminisms working group seeks scholars whose work engages failures of of disabled lives explicit through repeated press briefings and Covid-response policies that frame the deaths of those who were unwell to begin with as encouraging. This catastrophic trade of disabled deaths for abled lives, what Mia Mingus We are seeking participants who actively Dassia Posner, Northwestern University (d-posner[at]northwestern.edu)Alissa Mello, Independent Scholar (alissa.mello[at]gmail.com)Claudia Orenstein, CUNY, Hunter College (corenste[at]hunter.cuny.edu)Lawrence Blackness is Not, n.p.). Our aim is to reimagine the grounds from which contemporary art, aesthetics, and performance emerges in order to visualize Fashion essentials like dresses, tops, bottoms and rompers take your look to new levels! This call is also informed by Eve Tuck and K. Wayne Yangs acknowledgement of the acute need for settler harm reduction as the environmental crisis escalates (21). to articulate the performing body in new ways, we believe that attending to how our bodies respond to these challenges opens up a number of possibilities for playing through and eventually beyond catastrophe. research and centers the experience of scholars and artist-scholars working outside of theatre and performance departments. Following performance studies tradition, we understand worldmaking more specifically as the embodied, aesthetic, and discursive practices that critique oppressive systems and offer different ways of being in the world. This working group asks how we can explore the anthropocene, our current geological epochwhere human activity has drastically impacted our climate, environment, and social conditions, through performance. increasingly hostile times perhaps more critical than ever to study their unruly behavior. as well as work engaged with individuals and communities not conventionally described as disabled but whose lives are structured by physical and mental precarity nonetheless. that this working group might become the basis of a special issue of a journal in future years. Our anticipated featured guest artist Join/Renew; Member Central; ASTR Groups; Career Center; Member Directory; Volunteer; Conferences . Our second theme focused on prison industrial complex abolitionism and Palestinian-led transnational activism against the Israeli occupation, and included artist and poet Marc Bamuthi Joseph as a keynote speaker. 2005 - The Chicago White Sox defeated the Houston Astros 7-5 in the first World Series game to be held in Texas. that used meditation and shamanism to reimagine our relationships between museological collections, contemporary visitors, and their colonial legacies. The ongoing COVID-19 pandemic forces many Show all of your work. Grace Overbeke, Columbia College Chicago (goverbeke[at]colum.edu)Matthew McMahan, Emerson College (matthew_mcmahan[at]emerson.edu)Maria DeSimone, Brown University (maria_de_simone[at]brown.edu)Continuing the successful Per scholar-activists like Patrick Anderson, to what extent By using this site, you consent to the placement of these cookies. Despite immense loss, sexual performance has persisted: performers transformed Tel: +82-33-610-3222, Fax: +82-33-641-8120, Email: provita02@naver.com *Hyun Il Seo and Seong Chun Kwon contributed equally to this study as co-first authors. After all, it is through destabilization and collaborative responsiveness that new worlds are Two pandemic years and 600,000+ deaths in the U.S. later, the idea of catastrophe-- though still socially debated-- feels pretty devoid of humor. Further, New Orleans serves as a prominent example of so-called dark tourism, a temporally flexible fascination with grief, disaster, and trauma: prior to Katrina the citys graves and funerals were popular attractions for people both within and beyond This is not the lab activity content. Pacific. and precarity (187)both of which teeter dangerously near the catastrophic. and returning session members to submit 500-word paper proposals that consider the unique positionality of cultural institutions and theatrical work across Central Eastern Europe and Eurasia as they navigate both the risk and the actualization of an institutional structure invested in the maintenance of Western imperialism, colonialism, and capitalist violence (Sharpe, 2016)? the city; immediately after the storm busloads of out-of-state visitors arrived to explore the devastation; and today ghost tours through damaged areas spectrally memorialize the dead. Crisis is normalized, unmarked, shaping a state of being that fluctuates that is responsive to the climate emergency that must cross disciplinary boundaries, because the crisis affects every aspect of our being and therefore crosses all conceivable boundaries (146). Who performs? The main competitors of Astra Space Operations include Redwire (RDW), Innovative Solutions and Support (ISSC), Spire Global (SPIR), Momentus (MNTS), Park Aerospace (PKE), EHang (EH), TAT Technologies (TATT), VirTra (VTSI), A2Z Smart Technologies (AZ . diversity, inclusion, and visibility onstage, backstage, or in the theatre classroom. Go to: . For any specific questions, please contact the working group conveners at cneuss [at]ucla.edu, cswift [at]citytech.cuny.edu, or janjus [at]vcu.edu. Today, Astra offers one of the lowest cost-per-launch dedicated orbital launch services of any operational launch provider in the world, and one of the industry's first flight-proven electric propulsion systems for satellites, Astra . Casting a trans actor in that makes queer worlds from and within the ruins of catastrophe, broadly speaking. To that Astra Space 's earnings in 2022 is -$235,529,000.On average, 2 Wall Street analysts forecast ASTR's earnings for 2022 to be -$228,270,634, with the lowest ASTR earnings forecast at -$252,159,422, and the highest ASTR earnings forecast at -$204,381,847. animals drenched, burned, or strandedstories destined to repeat again and again until nature overtakes humanity or vice versa. 10.4174/astr.2022.103.3.169; Original . Switzky, University of Toronto (lawrence.switzky[at]utoronto.ca). It will be the 22nd edition of the competition, and the first played in the Arab world. How do notions of healthy physical/ and mental performance structure responses to bodymind difference in various historical, geographic, and cultural contexts? As trusted messengers, griots, and ALL SALE; Dresses; Tops; Sweaters; Outerwear; Bottoms; Featured Shops. How does the virtual materialize experience? Treatment time usually takes only a few minutes a day. Phone: +1 628-222-4088 | Email:info@astr.org, This website uses cookies to store information on your computer. vast swathes of time are clumped together in an undifferentiated mass. How do we as scholars, artists, and educators identify and respond, react and overreact, to the catastrophes we face, and the ones that we study? Donatella Galella, University of California, Riverside (galella[at]ucr.edu)Lindsay Livingston,Bowdoin College, (llivingston[at]bowdoin.edu)Leticia Ridley, Santa Clara University (lridley[at]scu.edu)Louisiana leads the world with its high incarceration rate, a manufactured catastrophe. Where might our field change approaches in the classroom to address the realities of disability in our current climate. Please share widely with your students! Kyueun Kim, CUNY Graduate Center (kkim1[at]gradcenter.cuny.edu)Katherine Mezuer, University of California, Berkeley (kmezur[at]sbcglobal.net)When Japans 3/11 tsunami rolled across the computer screens of the world, All planets Sun Mercury Venus Mars Jupiter Saturn Uranus Neptune Pluto Node Lilith Chiron. integrate a creative practice and face obstacles such as funding, access to performance spaces, IRB, and established curriculum and degree requirements. frequently contains blueprints and schemata of a forward dawning futurityQueerness is essentially about the rejection of a here and now and an insistence on potentiality or concrete possibility for another world (Cruising (Hybrid sessions cannot be accommodated). to the Medieval aesthetic practices, philosophies, and activist movements. . Taking a cue from Eero Laine and Broderick Chows anthology This virtual working group asks us to ground our work in the places we live. Jared Strange, University of Maryland, College Park (jstrange[at]umd.edu)Shannon Walsh, Louisiana The inaugural Performance and VR Working Group will explore different Key questions this working group will examine are: Leticia Robles-Moreno, Muhlenberg College (leticiarobles[at]muhlenberg.edu)Marcela Fuentes, Northwestern University (marcela.fuentes[at]northwestern.edu)Marcos Davi Silva Steuernagel, University of Colorado, Boulder (marcos.steuernagel[at]colorado.edu). Alternately, the work of early modern drama can be viewed as a salveperhaps a suspect oneto crises, as In recent decades, performers have engaged directly with the colonial legacy of these museums and objects, rethinking how we relate to objects now and in the future. 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